Throughout my reading life, I’ve picked books for lots of reasons. I can remember going to Tower Books in Seattle when I was in elementary school and perusing the sci-fi section, discovering David Drake’s Hammer’s Slammers on the strength of its cover art alone. I did that a lot. Other times, I’ve had books recommended to me with heartfelt conviction, like when a former Navy SEAL first told me about Gates of Fire and the work of Steven Pressfield. More recently, the suggestion to read the novel Room came during a conversation on how I could get better at character development while speaking with Ken Liu, a writer whose prose and translation—and work ethic—are indomitable.
Today there is growing acceptance that fiction belongs on military reading lists, and it is leading to some outstanding suggestions. A great novel or short story (particularly sci-fi) pushes us to confront our assumptions, helps us understand other perspectives, and stokes our imagination in ways that nonfiction cannot. In particular, dystopian sci-fi stories have their place on these lists for their cautionary value in an era when technology’s downsides can sometimes only be revealed after calamity. Terrible times often produce the most memorable heroes.
These are among my favorite fiction titles that I’ve read (or re-read as in the case of The Profession) recently. As a package, these books complement each other for their exploration of everything from human migration and trafficking to political collapse to narco superpowers to private armies. Plus, they all have great covers.
Read more at West Point’s Modern War Institute War Books column.
Peruse the shelves at any bookstore and one section sure to be well stocked is for books on writing. There are notable titles, from rule books such as Elements of Style to the inspirational and craft-oriented Naming the World, that are well suited to equipping writers with the tools to put their words on a page as effectively as possible.
There are other types of writing books, though, that pull back the curtain of what it is like to write professionally. Stephen King’s On Writing: A Memoir of the Craft is one that stands out, and so is Ray Bradbury’s Zen in the Art of Writing endure as being entertaining and useful.
Add to the list two more worthy reads. These recent autobiographical books hew to the “show, don’t tell” adage and reveal the stories behind their authors’ lives: Steven Pressfield’s The Knowledge and John le Carré’s The Pigeon Tunnel. While these books are rooted in the past, their value to future-minded writers is in understanding the importance of personal stories in creating inspiring characters and credible settings perched on the knife edge between fact and fiction. This is perhaps even more important in tales that can be easily overrun with technology and fantasy.
Read more at the Art of the Future Project website.
If the US slashes its involvement in NATO in the near-future, how might the alliance respond to Russian aggression in the Baltics? This short story, UNDERBELLY, explores the intersection of narrative combat, irregular warfare and great power conflict against a backdrop of NATO’s strongest nations lacking the American military might they depended on for decades.
The major general had forged his 31-year career in the British Army by sheer will, be it through SAS selection, stultifying desk jobs, Iraq, Afghanistan, a PhD in Russian literature, and much more. But just getting his fork from the plate to his mouth required more strength than he’d ever had. Two peas, nested in cold mashed potatoes, perched upon the tines. The room’s sole candle cast a long shadow across the tabletop, the mobile phone flipped screen-down next to an untouched, perfectly creased paper napkin. An inch off the plate was as far as he could get. It had been 18 hours since he’d last eaten but there was just no room in his stomach for food anymore. The profound need to prevail would sustain him until this was all over.
“Sir, you have a few more minutes,” said his aide, an American Army colonel, Shane Williams. “I can see if the kitchen can make something else, have them send it back.”
Maj. Gen. Hugh Fessenden shook his sizeable head and stood up, brushing non-existent crumbs from his jeans and thick brown sweater. He clutched his phone in his bony right hand. The totem of his anxiety. He stood a head shorter than Williams, yet the American looked at him with real admiration. The Cotswold countryside English pub, the Eagle Inn, was older than the United States. In another hundred years, this would be seen as a historic place and moment. Fessenden was the man making it happen. Williams was one of the few American uniformed military advisors still working with NATO since the United States pulled all of its land forces out of Europe two years ago. He would have a front-row seat to history, which was why he had joined the military more than 20 years ago.
Read more at West Point’s Modern War Institute.