In less than two weeks, BURN IN: A NOVEL OF THE REAL ROBOTIC REVOLUTION, goes on sale. It’s been five years since GHOST FLEET came out and deepened my commitment to using narratives to explore the future of conflict. Using what I’ve learned since, this is a new kind of novel, not only for me and my co-writer PW Singer but for the thriller genre… and yes, it has endnotes. No question this is a challenging time for all of the publishing industry, and we are doing what we can to support our local bookstores, as well as fellow writers. Nonetheless, we believe BURN IN is even more timely because of this pandemic and the social, political, and security issues it raises.
AN FBI AGENT HUNTS A NEW KIND OF TERRORIST THROUGH A WASHINGTON, DC, OF THE FUTURE IN THIS GROUNDBREAKING BOOK — AT ONCE A GRIPPING TECHNO-THRILLER AND FACT-BASED TOUR OF TOMORROW.
America is on the brink of a revolution, one both technological and political. The science fiction of AI and robotics has finally come true, but millions are angry and fearful that the future has left them behind. After narrowly stopping a bombing at Washington’s Union Station, FBI Special Agent Lara Keegan receives a new assignment: to fieldtest an advanced police robot. As a series of shocking catastrophes unfold, the two find them – selves investigating a conspiracy whose master – mind is using cutting-edge tech to rip the nation apart. To stop this new breed of terrorist, their only hope is to forge a new type of partnership.
Burn-In is especially chilling because it is something more than a pulse-pounding read: every tech, trend, and scene is drawn from real-world research on the ways that our politics, economy, and even family lives will soon be transformed.
You can pre-order a copy here.
If you would like a special signed copy, The Book Shop of Beverly Farms will have copies you can order and have shipped right away.
Earlier this year, I published a short story, OMEGA, co-written with Amir Husain, CEO and founder at SparkCognition. The narrative explores the nature of strategic surprise in the AI era, and how the US, as well as its European allies, might respond to such an upset in Europe. Exploring setbacks and failure is just one way such FICINT writing can help.
“Incoming!” shouted Piotr Nowak, a master sergeant in Poland’s Jednostka Wojskowa Komandosów special operations unit. Dropping to the ground, he clawed aside a veil of brittle green moss to wedge himself into a gap beneath a downed tree. He hoped the five other members of his military advisory team, crouched around the fist-shaped rock formation behind him, heard his shouts. To further reinforce Ukraine’s armed forces against increasingly brazen Russian military support for separatists in the eastern part of the country, Poland’s government had been quietly supplying military trainers. A pro-Russian military coup in Belarus two weeks earlier only served to raise tensions in the region – and the stakes for the JWK on the ground.
An instant later incoming Russian Grad rocket artillery announced itself with a shrill shriek. Then a rapid succession of sharp explosive pops as the dozen rockets burst overhead. Nowak quickly realized these weren’t ordinary fires.
Read more at the US Army Mad Scientist program’s blog.
SIXTH PLANET, HOTH SYSTEM – The tauntaun ran screaming across the crevasses and zig-zag trenches dug into Nev Ice Flow, fur singed black and gold and slathered in crimson.
A tauntaun doesn’t bleed red though. Rebel infantry does.
So starts the short story “When the Blood Runs Cold,” my contribution to the upcoming anthology STRATEGY STRIKES BACK: How Star Wars Explains Modern Military Conflict,” due out in May from Potomac Books. It is an eye-witness news account of the Rebel retreat from Hoth that is modeled on Ernie Pyle’s dispatches during World War II.
While my approach to answering the question of what the Star Wars universe can teach us about contemporary and future conflict relies on fiction, the collection of more than two dozen essays includes analysis from the smartest writers on strategy and military affairs today.
Kudos to editors John Amble, Max Brooks, Matt Cavanaugh, and Jaym Gates for producing such a valuable – and enjoyable – book. It can be read for entertainment as well as for professional development, which will give plenty of people a chance to talk at work about the Death Star’s acquisition travails or the ethics of Rebel tactics or morale within the Imperial cadre.
No writer should be shy about clamoring for pre-orders, and in that spirit here is a link: http://www.nebraskapress.unl.edu/potomac-books/9781640120334/
The view that fiction belongs on modern military reading lists is becoming mainstream. One only need look at the titles on the reading lists put out by US Special Operations Command or the senior officers of the Navy and Marine Corps to see that it has a valued place in military professional development. And this is not limited to the Iliad and the Odyssey. Fiction, and specifically science fiction and future-war fiction, is going mainstream in Western militaries.
Read the full article at RUSI Journal.
It was a packed house, just not the usual crowd for a think tank event.
But last week in London, an unusual evening of theater and discussion about artificial intelligence and the future of conflict brought together more than 200 people, including actors and art students, military and civilian government officials, tech and defense industry, among others.
The event, “Staging the Future: Artificial Intelligence and Conflict,” was put on by the Atlantic Council and the Royal United Services Institute, in partnership with Central St. Martins and the Platform Theatre. There are myriad efforts underway currently to better understand, and prepare for, a future in which computers and other machines can operate with human-like reasoned judgments and individual initiative but many of these reports or conferences overlook the crucial questions of the human element. As theater is inherently an analog – and live — activity, it focuses the audience’s attention on the actors on stage.
Read more at The Art of the Future Project website.
As parents well know, the terrible twos are so named for a reason. For authors, publishing date anniversaries — book birthdays – can be equally tricky at the age when a book’s launch buzz is long forgotten and the weight of creative expectations has moved from crawling underfoot to fluid running.
There might be tantrums.
Or cake and candles.
With Ghost Fleet, the summer of 2017 marked the two-year anniversary since the novel’s launch on June 30, 2015. The book’s recent addition to the Commander of US Special Operations Command and the Chief of Staff of the US Army professional reading lists mean the book’s “twos” aren’t terrible at all. It takes time to build an audience, particularly as readers are busier and busier. The hope is that the connection with characters, stories and concepts continues to spread from person to person, organization to organization with increasing urgency and enthusiasm. The book is already on myriad military reading lists, but seeing it still being endorsed as professionally relevant makes a parent proud.
On the Army’s list, Ghost Fleet joined a short list of esteemed fiction titles, including Gates of Fire by Stephen Pressfield, Matterhorn by Karl Marlantes and Virgil’s The Aenid. “Each of us faces busy schedules every day and finding time to read and think is a recurring challenge. But even as we train our units and physically condition our bodies, we must improve our minds through reading and critical thinking,” wrote Gen. Mark Miley, the 39th Chief of Staff of the Army in his preface to the list.
On the concise SOCOM reading list, Ghost Fleet can be found under “Disruptive Technology” alongside 3D Printing Will Rock The World by John Hornick and The Red Web: The Struggle Between Russia’s Digital Dictators and the New Online Revolutionaries by Andrei Soldatov and Irina Borogan. It is the sole fiction title.
By next summer, work on the next book will be well underway and I hope there will be time and occasion, once again, to celebrate another Ghost Fleet birthday.
Throughout my reading life, I’ve picked books for lots of reasons. I can remember going to Tower Books in Seattle when I was in elementary school and perusing the sci-fi section, discovering David Drake’s Hammer’s Slammers on the strength of its cover art alone. I did that a lot. Other times, I’ve had books recommended to me with heartfelt conviction, like when a former Navy SEAL first told me about Gates of Fire and the work of Steven Pressfield. More recently, the suggestion to read the novel Room came during a conversation on how I could get better at character development while speaking with Ken Liu, a writer whose prose and translation—and work ethic—are indomitable.
Today there is growing acceptance that fiction belongs on military reading lists, and it is leading to some outstanding suggestions. A great novel or short story (particularly sci-fi) pushes us to confront our assumptions, helps us understand other perspectives, and stokes our imagination in ways that nonfiction cannot. In particular, dystopian sci-fi stories have their place on these lists for their cautionary value in an era when technology’s downsides can sometimes only be revealed after calamity. Terrible times often produce the most memorable heroes.
These are among my favorite fiction titles that I’ve read (or re-read as in the case of The Profession) recently. As a package, these books complement each other for their exploration of everything from human migration and trafficking to political collapse to narco superpowers to private armies. Plus, they all have great covers.
Read more at West Point’s Modern War Institute War Books column.
Peruse the shelves at any bookstore and one section sure to be well stocked is for books on writing. There are notable titles, from rule books such as Elements of Style to the inspirational and craft-oriented Naming the World, that are well suited to equipping writers with the tools to put their words on a page as effectively as possible.
There are other types of writing books, though, that pull back the curtain of what it is like to write professionally. Stephen King’s On Writing: A Memoir of the Craft is one that stands out, and so is Ray Bradbury’s Zen in the Art of Writing endure as being entertaining and useful.
Add to the list two more worthy reads. These recent autobiographical books hew to the “show, don’t tell” adage and reveal the stories behind their authors’ lives: Steven Pressfield’s The Knowledge and John le Carré’s The Pigeon Tunnel. While these books are rooted in the past, their value to future-minded writers is in understanding the importance of personal stories in creating inspiring characters and credible settings perched on the knife edge between fact and fiction. This is perhaps even more important in tales that can be easily overrun with technology and fantasy.
Read more at the Art of the Future Project website.
If the US slashes its involvement in NATO in the near-future, how might the alliance respond to Russian aggression in the Baltics? This short story, UNDERBELLY, explores the intersection of narrative combat, irregular warfare and great power conflict against a backdrop of NATO’s strongest nations lacking the American military might they depended on for decades.
The major general had forged his 31-year career in the British Army by sheer will, be it through SAS selection, stultifying desk jobs, Iraq, Afghanistan, a PhD in Russian literature, and much more. But just getting his fork from the plate to his mouth required more strength than he’d ever had. Two peas, nested in cold mashed potatoes, perched upon the tines. The room’s sole candle cast a long shadow across the tabletop, the mobile phone flipped screen-down next to an untouched, perfectly creased paper napkin. An inch off the plate was as far as he could get. It had been 18 hours since he’d last eaten but there was just no room in his stomach for food anymore. The profound need to prevail would sustain him until this was all over.
“Sir, you have a few more minutes,” said his aide, an American Army colonel, Shane Williams. “I can see if the kitchen can make something else, have them send it back.”
Maj. Gen. Hugh Fessenden shook his sizeable head and stood up, brushing non-existent crumbs from his jeans and thick brown sweater. He clutched his phone in his bony right hand. The totem of his anxiety. He stood a head shorter than Williams, yet the American looked at him with real admiration. The Cotswold countryside English pub, the Eagle Inn, was older than the United States. In another hundred years, this would be seen as a historic place and moment. Fessenden was the man making it happen. Williams was one of the few American uniformed military advisors still working with NATO since the United States pulled all of its land forces out of Europe two years ago. He would have a front-row seat to history, which was why he had joined the military more than 20 years ago.
Read more at West Point’s Modern War Institute.